art, as we know it, since Ancient Egypt, after the great loss, had become
the action of the will, no longer of (lost) creativity. It became
the conscious, sometimes unconscious, result of set effort, of an intensity
and an authenticity that once governed the forces. There was always need
for a difficult perseveration to put againthe past world of the forces
in the form of an image, to represent them or to express them. It became
the work of the belief of a humanity, an eternal and sublime, materialized
supplication of a humanity that had lost the keys."
is the founder, in the beginning of the seventies, of the "Multidimensional
work has to be situated in the fields of the pictural arts, sculpture,
architecture, industrial design, haute coûture, music instrument
design, political sciences, philosophy, aeronautics and naval design. Aguila
is the author of the monumental multidimensional oeuvre THE CREATION OF
THE FREE WILL. This contemporary artist, who makes of the art his
instrument, brings his oeuvre to our artistic patrimonium for the benefit
of all those who feel concerned with the artistic and social development
and with the distribution of the cultural values. As the oeuvre of this
artist is so diverse and different, as well on a pictural level as because
of its contents, it can attract a large public and the artist has
sufficient capacity to maintain the interest of an art gallery only on
behalf of his own work. The presented works are a large selection of his
oeuvre, which, no doubt, will have its influence on the third millenium.
I t is also an hommage to his professional value which allows us to initiate
ourselves in the artistic know-how of this artist."